The Genius edition by Theodore Dreiser Literature Fiction eBooks
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Theodore Dreiser heavily invested himself in The Genius, an autobiographical novel first published in 1915. Thoroughly immersed in the turn-of-the-century art scene, The Genius explores the multiple conflicts between art and business, art and marriage, and between traditional and modern views of sexual morality. Despite heavy editing, The Genius was deemed so shocking that its sale was immediately prohibited by the New York Society for the Suppression of Vice. It was not released until 1923, and thereafter the episode confirmed Dreiser's status as a writer ahead of his time.
The Genius edition by Theodore Dreiser Literature Fiction eBooks
Analytical writing, not as intense or deep as Dostoevsky, but pretty psychological. This was scandalous in the early 1900s for the sexual content. It is not at all explicit, everything is hinted at, you have to read between the lines. By today's standards it would be PG-13. The story of a narcissistic artist looking for sex/love. A guy who is never satisfied. Very readable. Not too much about the creative process, mostly about his neurotic quest to fulfill his desires.Product details
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The Genius edition by Theodore Dreiser Literature Fiction eBooks Reviews
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The "Genius" is the most directly personal of Theodore Dreiser's novels. It is also his most shocking, on account of the sexual candor its audience will encounter. Its story traces the career of Eugene Witla, a talented young artist from a small Midwest town. Seeking fulfillment in art and life he takes his ambitions first to Chicago and later to New York. Eugene's artistic prowess undertakes different guises throughout his climb unto the financial world and the creative resources he aptly taps into while gaining professional stock in the world of advertising and mass-circulation magazines. He will also cavort about these cities with an erotic hunger and pecuniary ambition that speaks by means of an expression diffracted across the spectrum of varied hues. These are different manifestation of a single force that breeds desire within Eugene. A philosophical take as much as it is a psychological claim. The language Dreiser adopted in the writing of this novel is more vital and less stodgy than the more commonly read efforts Dreiser is renowned for such as Sister Carrie and An American Tragedy. These pages have a genius that is pandering to the commercial strain of worldly affairs, a theme rehashed in The Financer, but here treated with undiminished assertiveness and a joyous explosiveness rather than tragic adumbration, although one should never expect such aloofness and alienation to be omitted from any of Dreiser's writings. Dreiser insists that the artists in the new American landscape, the artist of unprivileged birth, the artist of a competitive genius that hungers for financial success in spite of claims to do otherwise is involved in a conflict that is best dramatized in this resounding narrative. Dreiser wrote that "it is difficult to indicate to those who have never come out of poverty into luxury or out of comparative uncouthness into refinement, the veil or spell which the latter comes eventually to cast over the inexperienced mind, coloring the world anew. Life is apparently striving, constantly, to perfect its illusion and to create spells. There are, as a matter of fact, nothing but these outside that ultimate substance or principle which underlies it all. To those who come out of harmony, harmony is a spell, and to those who have come out of poverty, luxury is a dream of delight."
Furthermore, Eugene will swing between two diverging ideological themes within his love affairs, either as an investment of his intellectual and spiritual sensuality or as a delightful dividend of achievements in other fields. He becomes conscious that the purity is an ideal worth alluding to but hardly unadulterated by narcissistic interests. Eugene rhapsodies on the nature of desire and meticulously scrutinizes his motives, only to rationalize a pathos he is the product of, as much as its genius.
This book has more problems than you can imagine... huge empty spaces between one or two lines of dialogue ....it's impossible to read. I have to pick up some other copy...
as for the illustrations .... personally I think postage stamp size pictures of the author and of previevious editions... do nothing to illustrate the story in any way.
SAVE YOUR 99 CENTS !
Theodore Dreiser is a favorite of mine and having read most of his books I enjoyed all.
Poor typesetting! Exceptionally long lines that are not smooth to follow making for difficult reading. Not an enjoyable set up.
Really kind of a masterpiece. I related to this character and story so well. There is a somewhat romance, soap opera quality that is entertaining and addicting. Also a tremendous amount of depth in characters and themes. This is an amazing portrait of an artist that delves into psychology, spirituality, morality and human relations. It is also an interesting American period piece that describes an exciting urban business life at a time when there was still a contrasting small town, main street Americana. This novel is brilliant and satisfying.
Starts slow, evolves into a sprawling epic about an impossibly lucky and unlucky artist who can't shake his weakness for beautiful women. The promise of new twists keeps the pages turning...for me the greatest interest is in the particulars of life circa 1895 (?) in the US. Details of train travel, how people thought about money and survival, work, the 1% of their time...although oddly there is not a single reference to politics or the great events of the day, or for that matter much about food; we don't really learn what years these are, except for "this is the 19th century!" At the end as he descends into what turns out to be not such a bad hell there is a sudden disquisition on Christian Science, which must have been at its peak...quite interesting to anyone curious about that subject. There's also a very detailed and graphic description of a problem childbirth and c section in a NY hospital; Dreiser is unflinching. The genius is Dreiser, no doubt...to me the natural sequel to this book will be a biography of the writer himself.
Analytical writing, not as intense or deep as Dostoevsky, but pretty psychological. This was scandalous in the early 1900s for the sexual content. It is not at all explicit, everything is hinted at, you have to read between the lines. By today's standards it would be PG-13. The story of a narcissistic artist looking for sex/love. A guy who is never satisfied. Very readable. Not too much about the creative process, mostly about his neurotic quest to fulfill his desires.
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